Essay on The Musical World of Aaron Copland - 1758 Words

Aaron Copland was born on November 14th, 1900 in Brooklyn, New York, United States (3). His parents, Harris Morris Copland and Sarah Mittenthal Copland, were Jewish immigrants from Russia (6). Copland had four older siblings who grew up together. When he was eleven years old, one of his sisters, Laurine, taught him how to play a piano (3). Laurine also influenced to his musical world by introducing him to ragtime and opera (6). From 1913 to 1917, he took his first formal piano lessons from Leopold Wolfsohn (3, 6). Wolfsohn introduced him to the pieces of the great musicians such as Beethoven and Mozart. When he was fifteen, he attended a concert by composer Ignacy Paderewski. The dream of becoming a composer sprouted inside him after†¦show more content†¦During his years at the ACF, he became fascinated with the music of Debussy, Ravel, and Scriabin. At that time, Paris was the center of European music after World War I. He traveled to Italy, Germany, Austria, and other many European countries to discover and experience various aspects of European music (6). He attended to numerous concerts and plays during his years in Paris. He featured the works of European modern composers such as Stravinsky and Milhaud. When Copland completed his studies in 1924, Boulanger requests him to compose a work for her organ performance (6). Copland composes the Symphony for Organ and Orchestra, which was his first orchestral score. Boulanger played the piece on January 11th, 1925 in New York, United States. Serge Koussevitzsky, who was the conductor of the Boston Symphony, was impressed with Copland’s organ symphony and began to support Copland’s works. After completing the Symphony for Organ and Orchestra, he returned to United States (1). He noticed that there was an artistic rebellion at the New York City while he was in France. The mindset and the work of musicians in New York became much more progressive. In New York, Copland joined to the League of Composers. This organization sponsored Copland’s first piano performance in United States. Copland performed The Cat and the Mouse and Passacaglia (1922) at New York City in 1924 (3). Passacaglia was the workShow MoreRelatedEssay Biography of Aaron Copland1169 Words   |  5 PagesAaron Copland was born November 14th 1900 in Brooklyn, New York. He is the youngest of five children to Sarah Mittenthal, his mother and Harris Copland, his father. He had two brothers, Ralph and Leon and two sisters Laurine and Josephine. As early as the age of nine, he began making up songs on the piano and two years later, his older sister Laurine began giving him piano lessons. In 1914, Cop land began studying with his first professional piano teacher, Ludwig Wolfsohn in Brooklyn, New YorkRead MoreAnalysis Of Aaron Coplands How We Listen1078 Words   |  5 PagesWriter and composer, Aaron Copland, in his book, â€Å"How We Listen,† divides listening into three planes: the sensuous, the expressive and the sheerly musical. Copland argues throughout the work that â€Å"[listeners] can deepen [their] understanding of music only by being a more conscious and aware listener.† (Copland, 15) Copland’s strategy of breaking the text up with the three planes of listening helps the reader understand his message in a more complete way. The first plane Copland describes is what heRead More The 20th centurys 3 greatest composers Essay2358 Words   |  10 Pageswho initiated revolutions so grandiose that the impact—like an earthquake’s aftershocks—would reverberate for decades and influence scores of musicians to come. Such influences can be traced back to three specific composers. Igor Stravinsky, Aaron Copland, and Nadia Boulanger: the triumvirate of 20th century music. Igor Stravinsky, remains the century’s most shocking and versatile composer. Born in Russia in 1882, Stravinsky enjoyed a musically wealthy childhood. He was the son of a famousRead MoreWhat I Listen For The Music2476 Words   |  10 Pagesto the radio throughout their daily activities. Music is one aspect that appeals to the variety of individuals in the world despite their differences in belief, personality and culture. Music is one of the only elements of life that allows us as individuals to enjoy something cohesively. The mystifying element that we call music almost seems impossible to define but Aaron Copland, one of the many renowned composers and conductors of the 20th century, attempts to condense the idea of how we as listenersRead MoreThree Most Important Composers of the Twentieth Centruy2805 Words   |  11 Pagesto the world of classical music; however, the three composers discussed here did not write in that style and instead influenced other aspects of the music world. Arnold Schoenberg, Aaron Copland, and Igor Stravinsky each greatly impacted the musical world around them. Schoenberg’s journey away from tonality to serialism changed the way that composers wrote for the rest of the century, while Copland’s music emancipated American sound from the European styles. Stravinsky brought many musical stylesRead MoreThe Concert Hall, Raleigh, Concert, By Paul Randall And Composed By Bill Evans1721 Words   |  7 Pagestrumpet were held for emphasis and as the tempo shifted. There were many dynamics used in this tune. The tune started from really soft to really loud with a crescendo and stayed in this routine until the ending when the pattern was reversed. â€Å"Aaron Copland† was for me a tune of a love affair from the time the very first note started. The tune was hot and enthusiastic and shown dialogue without using any words. The ensemble played this piece by Cassia Lee supplied the drawn-out conversation that soun dedRead MoreAnalysis Of Aaron Copland s How We Listen1658 Words   |  7 PagesMaryland and his parents being drug addicts. He also talks about his love of music and happy, good stuff about life. In a way he wants to put the world together and unite it through music. He uses this as a method to bring people together through his music and wants to people under his music of loving one another for making a better world. In Aaron Copland â€Å"How We Listen† describes the process of listening to music to understand and enjoy it. Also in Scott McCloud â€Å"Understanding Comics† he talks aboutRead MoreThe Symphony Orchestra At The Usf Concert Hall1036 Words   |  5 Pagesfor the Common Man by Aaron Copland, a piece that started with a bang. The pang of a gong, and the beat of the drums, immediately captured and captivated the audience from the start. The slow build that led up to the trumpets and other brass instruments folding in, possessed an almost militaristic feel. Upon looking into the composer, it was no wonder why the triumphant sounds produced by the brass instruments came off as militaristic. Copland composed the piece during World War II. According to ElizabethRead MoreOn the Waterfront and the Music of Leonard Bernstein (1954)716 Words   |  3 Pagesleading the Longshoremen’s Union. Just as important as the plot of the film is the music; the original score by Leonard Bernstein greatly influenced how other composers would approach film scoring. Bernstein combined the â€Å"American† characteristics of Aaron Copland’s music (disjunct melodies, wide intervals, small but colorful ensembles) with the dark and somewhat disturbing elements of modernism. Bernstein did not shy away from dissonance, and he also incorporated jazz elements (such as brass and rhythmicRead MoreThe Power of Music Therapy Essay examples1013 Words   |  5 Pagescognitive, physical, communication, social, and emotional skills. This type of therap y utilizes music and music related activities to modify ineffective learning patterns, help to promote emotional, mental, social and physical growth and to develop non-musical goals. Music Therapy works as a creative, means of utilizing the popularity of music to aid people of all ages and abilities. It is considered an established health care profession that uses music to address physical, psychological, cognitive and